"The very last time I saw my father,
he gave me a boat motor.
As I was driving away from the courtyard, he
called after me, telling me that it was my motor and that I was responsible
for it. On the other hand, he’d
already decided that my son Ludvig would get to drive the boat and use
the motor by himself. It was important that I not forget this.
That was
the last time I saw him alive.
Three days later, I heard his voice on
my answering machine. He called to find out how we were doing at our country place near the ocean. After dinner, I dialed the number to my
parents’ house. After that, nothing
was ever the same. From the receiver, I could hear one of my parents’ friends
saying that my mother was on the way to hospital with my father, in an
ambulance. Their clumsy attempt to explain the course of events in a
mitigating way betrayed something much worse. My body, which seemed to
immediately understand the seriousness of the situation, was unfortunately
right, and that night I received the news that my father was gone forever.
Three weeks later, we left my mother to begin her new life alone and
we made our way back to our country home. We returned to a sad place,
one we had left in complete chaos. What had always been our own little
paradise suddenly felt empty and deserted, and I, for one, rattled around
the house with a huge emptiness inside of me.
The next day, we hooked
up Dad’s, or rather, my boat motor and went
out on our maiden voyage. It was one of those beautiful late summer Swedish
evenings, with a perfectly pink sunset. Far out in the ocean, we had
to put more gasoline in our little motor. As we lay there quietly on
the waves, a huge seal appeared right next to the railing. From the animal’s
gaze and gestures, it felt as if dad was right there with us. Our inaugural
boat ride became a wonderful excursion that comforted us in our sorrow,
and it once again became meaningful to begin doing things again.
The
next day, Ludvig spent several hours on the boat, going back and forth
along the coastline. He was so
proud and happy when he passed by in his bright
yellow life jacket in the little purple boat that he and grandfather had
painted together.
Later in the afternoon he and a friend went out with the boat. They drove
by and, as they disappeared from view, it became quiet. I didn’t think
more about them until the two boys, later, came walking along the beach.
Their heavy heads told me immediately that something bad had happened. When
Ludvig told me that the motor had suddenly popped off the boat, it was as
if it had knocked the wind knocked out of me. My father’s death
had left me with an immense sadness, but I had felt free of guilt and anxiety.
At that precise moment, all those feelings came back, bowling me over.
The
fact that I couldn’t live up to my father’s last measure
of confidence and his gift to me completely destroyed me. Feelings of guilt,
shame, anxiety, senselessness and sorrow enveloped me and I felt adrift.
The ocean represented a dream place to my father, a place where he sailed
both in real life and in his thoughts. We had been a sailing family for many
years and once dad and I even did some long-distance sailing together; it
was a special experience that we shared. Obviously, all of these memories
played a part in my somewhat exaggerated reaction to the sunken motor.
My
father’s death was quick and violent. Since I wasn’t there when
it happened, it was retold to me and I had to imagine it instead. I think
this contributed to my continual replaying of the course of events in an
effort to understand his death. The episode with the motor came to occupy
the same place in how I viewed the world. This meaningless image, of a motor
that, on its own, spun around and down into the waters’ depths and
slowly disappeared, replayed itself over and over again inside of me. Once
again, I became completely caught up in imagining a series of events told
to me by someone else.
That evening, Ludvig and I rowed out in the rain to
find the place where the motor had hopped off the boat and to determine the
water’s depth.
We realized rather quickly, out there in the rain, it would be too difficult
to pinpoint the exact spot and that the water was far too deep. Besides,
the idea of bringing up the motor began to seem meaningless. For us, the
events surrounding the lost motor seemed like yet another greeting from our
father and grandfather.
Now, that spot out in the ocean is the second place
we said our farewells, and the motor will be allowed to rest in the water’s
depths in peace and quiet."
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Surface was
first shown at the exhibition Giving Water an Image, at the
Museum of Hanoi University of Fine Arts, Vietnam, in August 2004. The exhibition
was curated by Veronika
Radulovic.
Participants: Giang Nguyet Anh, Le Tran Hau Anh, Tran Luu Tuan, Nguyen
Luong Tieu Bach, Doan Van Bang, Le Thi Dung, Doan Van Bang, Tran Quang
Dung, Christoph Girardet/Matthias Müller, Trang Thanh Hien, Juliane Heise,
Le Lang Luong, Tran Tuyet Mai, Luu Chi Hieu, Veronika Radulovic, Brian
Ring, Nguyen Nghia Phuong, Tran Dinh Tho, Nguyen The Son, Trieu Do Minh,
Khac Tien, Tam, Le Quy Tong, Nguyen Thu, Nguyen Bich Thuy, Le Anh Van,
Mai Thu Van and Lee Wen.
See picture from the exhibition.
Download reviews of the exhibition; VietnamArtBooks.com and VietnamNet.vn.
Surface has also been screened at:
European
Media Art Festival,
Osnabrück, Germany, 2005
OKVF/Östersund
Konstvideofestival -05, Östersund, 2005 (See
program)
Read Surface text in swedish. |