| EXHIBITIONS [SELECTED EXHIBITIONS, OFFICIAL WORKS AND OTHER MATERIAL] | ||
| Red Tree 2008 | ||
| Wrapped alder at Ulvön. Summerexhibition Konsten går iland på Ulvön 2008 | ||
| Larm | ||
| CD production from 2007; from mouht cavity to laptop. A presents a selection of 24 tracks with artists from LARM’s Nordic survey of women who work with sound. | ||
| Pose | ||
| September 24 - November 5, 2006 | ||
| Copy Silence Copy Sound | ||
| The International Sculpture Symposium An Giang Hallmark I - 2003 will be continued by the International Sculpture Symposium An Giang Hallmark II – 2005. This is a realistic activity for the spiritual life of the people in the Mekong Delta Region, a pride of the people of Chau Doc Township, An Giang province, and a lively symbol of a friendship between Vietnam and countries all over the world for the sake of a modern Vietnamese cultural identity. The International Sculpture Symposium An Giang Hallmark II - 2005 will last from 31 October, 2005 to 10 December, 2005. | ||
| Silver #2 | ||
| ArtLoad at Skellefteå Konsthall, 2005 | ||
| Silver #1 | ||
| Tecknarens kontakt, Verkligheten, Umeå, 2005 | ||
| Dripped c/o Sweden | ||
| A.r.I.A.s. Gallery, Makati City,
Manila, Philippines, 2005 Dripped c/o Sweden, a collaborative art project co-organized by Filipino artist Novll El Farol and contemporary artists from Sweden. |
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| Drawing #4 | ||
| Selected drawings, 2005 | ||
| I've Dreamed of Living Where the Trees Keept Death Away | ||
| Video, 2005 It's a video about the tree as a form of habitation. In this case as a place for the bird to form it´s habitation and nest, but also as a metaphor or as place for us to dream about our original childhood places. This also makes us consider the human ways of building settlements, homes, habitations and security around us. I've dreamed of living where the trees keept death away was first shown at the exhibition Tree, at the Museum of Hanoi University of Fine Arts, Viet Nam, on April 4, 2005. Curated by Veronika Radulovic. |
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| Mutual Lines | ||
| Northern Regions Art Project, Hokkaido Museum of Modern Art, Sapporo, Japan, 2004 | ||
| Contact | ||
| Sörböleskolan, Skellefteå, 2004. Official work at a Sörböleskolan, Skellefteå | ||
| Surface | ||
| Video, 2004 "The very last time I saw my father, he gave me a boat motor." A twelve minute long video about the lost of a close relative and a boat motor. |
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| Selected Sounds 1995-2004 | ||
| Sounds from different places | ||
| Room for Reading | ||
| Landstingshuset, Umeå, 2003 | ||
| Red Wall | ||
| Museum of Hanoi University of Fine Arts, Viet Nam, 2003 | ||
| Drawing #3 | ||
| Selected drawings, Redroom #1 - #8, 2003 | ||
| Passion | ||
| Video, 2002 | ||
| Av / På | ||
| Off / On | ||
| Noon | ||
| Moviken Art, Moviken, 2002 Moviken is a typical ironworks community of the late 18th century. When the ore was brought here, it was transformed into pig-iron before being taken to forges in Strömbacka to be worked into rod-iron. At the end of the 19th century, there was a blast-furnace here as well as seven charcoal-furnaces and a local school. |
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| Unspeakable Home | ||
| Galleri Andersson Sandström, Umeå, 2001 | ||
| Tower | ||
| Galleri 54, Gothenburg, 2001 Inside somebody’s head there are memories of sounds and images that echo. In a state of complete boredom and idleness, the brain weaves a very familiar but different world. A tower is built to give way to the wanderings of daydreams. One moment a little boy, next, a resting old man who remembers the ringing of church bells. |
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| Redrum | ||
| Härnösands Konsthall, Härnösand, 2000 The exhibition redrum is constructed like a drama; a dream. The narrative moves freely around an atmosphere which follows a red thread. We wanted to create a feeling of a passionate drama that had just taken place, with its powerful tension between life-affir-ming and destructive energies. A feverish dream that generates images of a continuum, a before and an after. |
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| Drawing #2 | ||
| Selected drawings, Redrum #1 - #8, 2000 | ||
| Heard in the Dark | ||
| Konstens Hus, Luleå, 2000 "By the time you open your eyes your feet have disappeared and the skirts of your greatcoat come to rest on the surface of the snow. The dark scene seems lit from below." Extract from Samuel Beckett Heard in the Dark II |
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| Drawing #1 | ||
| Drawings; Mute, Nither & Unspeakable Home, 2000 | ||
| Off | ||
| Diáspora, Oviedo, Spain, 1999 A room inhabited by the sense of waiting and opposition. A space inhabited by someone who is both unable and unwilling to change position. |
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| Every Little Counts | ||
| come/and/see, London, UK, 1999 An exhibition to celebrate The Gallery Channel’s first birthday and launch of The Avatar Award for On-line Curation. .com/and/see provides an exclusive opportunity to see, in one ‘real world’ exhibition space, work by artists exhibiting ‘virtually’ on The Gallery Channel in its first year. Soundinstallation. |
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| Jag vet att du väntar | ||
| By Side Sidewalk IV, BildMuseet, Umeå, 1999 | ||
| Company | ||
| Umedalen Skulptur, Umeå, 1998 "How much do I love you? Count the stars in the sky. Measure the waters of the oceans with a teaspoon. Number the grains of sand on the seashore. Impossible, you say." Samuel M Johnson Numbers as company! |
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| Foghorn / Harangue | ||
| Galleri Ahnlund, Umeå, 1998 The wallpaintings worked as tableaux that suggested a closed room seen from a number of distorted perspectives with sliding temperaments. |
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